Zagreb is a
mixed Croatian blessing, a treasure that has yet to be overrun by large-scale
tourism. This compact capital offers bustling street and night life and
encompasses more museums than many other European cities. But how long
can that charm and vivacity survive? Food consultant, journalist, and -about-Zagreb
René Bakalovic hopes the future of Zagreb is not in mass tourism.
"We don't want to measure visitors in millions. We want upscale tourism.
When we first got noticed by tour operators, one of the first things we
did was to hold a symposium called 'How to Have Fewer Tourists.' We tried
to take on board the lessons of the destruction of the Spanish Costas and,
more recently, the tripper invasion of great East European capitals.
I suppose
I'm protective of my beautiful city and it upsets me to see hundreds of
tourists milling through without understanding its history."
Part of the
problem is the city's mixed heritage. Trg Bana Jelacica, the city's center
and main square, is named after the Croatian hero who defeated the Hungarians
in 1848 and is celebrated by a monument.
But Mr. Jelacica
might not recognize this part of the city today, as diagonally opposite
sits a squat monstrosity built during the socialist regime in the 1950's
that can't be pulled down - because it's over 50 years old and is listed.
Lidija Anic,
from one of the country's leading tour operators, Hidden Croatia, asks,
"Does the city spend money on restoring many of its wonderful but crumbling
buildings? Or should it take the cheaper route and knock them down to build
characterless modern blocks? It's a battle between developers and traditionalists.
We're the latter and continue to plough our profits back into the country.
That's how Croatian tourism will best survive and prosper: for the good
of everyone."
Another example
of the curious juxtapositions that are part of the fabric of this city
is in the cathedral. St. Stephen's was built on the foundations of an 11th-century
church, then reconstructed with twin neo-Gothic spires in 1899. Inside
is a massive chandelier from a hotel in Las Vegas, installed in 2004.
The topic keeps
Zagreb's café habitués arguing to this day about its aesthetic
merits.
A short uphill
stroll away is the 13th-century Stone Gate (Kamenita vrata) featuring a
painting of the Virgin Mary that miraculously escaped the great fire of
1731.
Further on
are the Presidential Palace, with colorful guards, the Croatian Parliament,
and St. Mark's Church, housing works by Ivan Mestrovic, Croatia's most
famous sculptor.
With any remaining
breath, it's worth climbing the Lotrscak Tower for a panoramic view, but
watch out if you're there at precisely noon, when a loud gun is fired.
It used to sound as night fell, to warn citizens back into the city to
avoid brigands. An enjoyable route back to the lower city is via the hundred-year-old
funicular railway. Who needs mass tourism?
Zagreb's
birth Modern-day
Zagreb has emerged from two medieval settlements that developed on neighbouring
hills for centuries. The first written mention of the city dates from 1094,
when a diocese was founded on Kaptol, and in 1242 neighbouring Gradec was
proclaimed a free royal city. Both were walled cities, remains of which
are still preserved. They were an important border during the Turkish attacks
on Europe but it wasn't until 1850 that Kaptol and Gradec were brought
together administratively as the city of Zagreb that we know today.
This article
previously appeared in International Living (http://www.internationalliving.com/croatia/free/01-16-07-tourism.html)
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