Elephanta: The Abode Of Shiva ~ by Manju Dubey
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Elephanta
The Abode Of Shiva 
By Manju Dubey
December 2005

Mumbai, India

During the early days of Hindu philosophy, cave temples became the symbol of piety and extreme religious leanings. Many cave temples were made during this period. At this point in time there was a mix of followers of different religions such as Hinduism, Jainism and Buddhism. Religious tolerance and openness is evident by the fact that devotees of any of these religions carved out the idols of their favorite deity. So it is not common to find Hindu, Buddhist or Jain cave temples harmoniously existing together since time immemorial. The journey to the Elephanta Caves is like a journey back in time, the caves are remarkably well–preserved.

One such cave temple is the Elephanta caves located off the shore of Mumbai; it is the home of Shiva. It is understood that there are three levels of understanding that are used while encountering Shiva in the Elephanta caves. The first level is of physical attributes that are visible.
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The second is the level of invisible physical attributes. The third level is the level of invisible mythological and spiritual attributes.

The home of Shiva at Elephanta is the center and most powerful of all of the Hindu Shiva temples.

Architecture And Ethos Of Elephanta

Architecturally, this temple is more than a cave. As a cave, it is sound and secure but as a temple it is a masterpiece of art. It is believed that it cannot be separated from its physical context, as this would invalidate a good part of its religious power. Everything about Elephanta suggests an abandoning of the everyday world. According to legend, three journeys must be taken in order to approach the temple. A passage across water, a mountain must be climbed, and a cave entered. It gives the worshiper a sense of duty and preparation to be in the home of Shiva. This is one of the most important factors of the temple. There are guardians surrounding the temple. No one that is unworthy shall enter the temple. Measures have been taken to provide Shiva with privacy. There are three entrances to the temple on the north, east, and west sides. The inside of the cave is easily understandable. The area is divided by columns, creating equal rows and aisles.

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Toward the west is a square sanctuary detached from the walls. Inside this sanctuary is a monolithic Linga. Panels deeply carved into the walls are located on both side of the three entrances and along the south wall. 

Concept Of Shiva

So engrossed is man in pursuit of higher goals that there is little time for introspection or reflection on one’s inner self. Reflection on the inside, coming back to oneself, is extremely difficult, and is a process to be mastered here, amidst godly energy. Movement from north to south is very different. A believer passes under the beams, down towards the Eternal Shiva. Once one has reached the deepest point, they are engulfed in near darkness while approaching the triple-faced image (Mahadeva, Maheshvara, Mahashamurti). Whether these are signs of good vs. evil, or past, present, future, this is the inner sanctum sanctorum. The physical space is a series of circles from the Eternal Shiva outward. The inner circles represent what is Godly, and the outer circles represent the outer world, filled with commercialism, greed, and crime. The inner spheres are pure. The panels surrounding these sculptures are not random.

They are purposely placed next to each other to resemble the paradoxes of life and energy. The Marriage of Shiva and Parvati: Shiva came to Parvati in disguise, and tested her. She passed and they wed. Shiva holding the Ganges: King Sagara's sons were burnt, and he asked Ganges to come down and rescue them. She agreed, but needed Siva to break her fall. He agreed, and stood on the Himalayas as the Ganges River cascaded onto his head. Since then Ganges is considered the wife of Shiva because the incident was seen as an adulterous act. Ravana Lifting Kailasa: Ravana (demon king) was insulted that Shiva and Parvati were making love on Kailasa mountain. He lifted the mountain, but Shiva pinned Ravana under it. Ravana escaped to worship Shiva for a thousand years. Shiva and Parvati Gambling with Dice. Shiva as the Androgyne: Brahma, the creator, tried to produce living creatures, but they could not produce. Shiva offered to split his body, creating an androgyny. The two forms separated, creating what we know today as male and female.
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So we have all the facets of Hindu beliefs depicted on the panels of the cave temples with popular mythological tales embedded in the statues. The three physical facets of the supreme power are well depicted in the idols. 

Elephanta itself is like a book. It has a message, a meaning, a portrayal. It may not be the same every time, and it may not be the same for every person. That may be why some of the definitions are different in every source of information. The one thing that is certain is that there is energy in the house of Shiva. This energy is released by the icons, by the architecture, and by Shiva himself. The energy of the Linga radiates in four directions, just as the Eternal Shiva radiates it's own energy. One cannot wait to be in the presence of that energy, to feel the power, understand the mythology, and honor its presence. 

The following are the previous articles Manju wrote for the magazine:

  • Life In India Without The Trappings Of Power Getting Around Power
  • Jaipur: A Land Of Color, Culture And Bonhomie ~ Travel To India
  • To contact Manju Click Here

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