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Tibetan temperatures drop well below zero at night. Yanzhong Lake was lined with mountains in the distance, but without a tree in sight to break the ferocious Tibetan winds, the temperature dropped even lower still. It is our first night at the campsite, and it seems as though with every passing moment, the temperature dropped ten degrees. Although only two people were in each tent, our tent had far more than just two sleeping bags. It held a sea of sleeping bags, and Janet and I were swimming underneath. With each gust of wind, we burrowed deeper and deeper. And yet underneath all the layered material that was wrapped around us, sounds of laughter and music were making their way through to our ears. I got out of the tent first. No easy task considering all the burrowing that had occurred. Slowing emerging from the tent, it did not take long for me to locate the music. Loud, upbeat Tibetan music was blasting from our bus. It glowed like a lighthouse, beaming a warm, bright, radiant glow in the darkness of Yangzhong. No other lights existed for miles and miles. The bus’s light hooked me and lured me in. As I got closer, my ears picked up on wild laughter and screams of delight. By the time I got to the door, it was apparent that this gleeful noise was emanating from our bus driver, Sakya, and our two tour guides, Labsang and Kaoya. As I approached the door, I could see beer splashing out of cups as they were being raised and then crashed together, and were then being rapidly emptied into swaying bodies. These three blissfully drunk men saw me at the door and happily let me inside. As the door opened, an incredibly strong undertow of warmth pulled me up the steep bus stairs. “Hello! Hello,
Megan! Hello!” I received a chorus of greetings (spoken in English
with Tibetan accents). Sakya sat sideways in the driver’s seat, facing
Labsang and Kaoya, both seated in stools across from Sakya, forming a triangle
around a table displaying cards and a large thermos of Tibetan Beer.
Sakya, typically very shy and quiet during the day, was energetically waving
cards in Labsang and Kaoya’s face. His eyes, brimming with excitement,
grew even larger as Labsang dealt him a card that apparently was making
an already exciting game even more so. Labsang and Kaoya, both beautiful
men with engaging, warm personalities, seemed keenly aware of this game’s
excitement, and were leaning even further towards the table, farther off
their stools. Kaoya suddenly breaks his line of vision from the cards
and his eyes return to mine.
Still adjusting to the bright light, my eyes fell upon three friends. Nick and Yu-ling stood together in the aisle, their arms leaning on seats, watching Carrie, seated in front of them, sort through her cassette tapes. “Hey Meg!” they exclaimed excitedly. I matched their cheerfulness and joined Carrie on a blue cushioned seat that was covered with as assortment of snack crumbs. “Isn’t is great in here?” She exclaims. I nod happily. Sitting back into my seat, I watch Labsang, Kaoya, and Sakya exchange hearty laughs with each other. They were thoroughly enjoying themselves, and I was enjoying a side of them I had not previously seen. I wondered how much of this unbridled happiness was due to drinking, or due to their ability to just be themselves, free to speak in their own Tibetan language that they were not able to use that often during the day. With us, they never spoke Chinese, but used English instead. I knew that they were both fluent in Chinese, as Chinese is mandated the official language of Tibet. I started to
think about how difficult and debasing it would be to not be able to speak
your own language in your own country. In May of 1950, China imposed
a treaty on the Tibetan government, acknowledging sovereignty over Tibet
but recognizing the Tibetan government's autonomy with respect to internal
affairs. Ever since the Chinese invasion, Tibetans have had their
own culture suppressed and marginalized, causing them to live like foreigners
in their own country. I wondered whether it hurt Labsang, Sakya,
and Kaoya to speak Chinese with our Chinese teachers. I wondered
what it felt like for them, earlier that day, when we were in Lhasa visiting
the Potala Palace. The Potala Palace was where the Dali Lama lived before
he was exiled, and I wondered if it upset Labsang and Kaoya to take tours
with Chinese people to this sacred place.
I wondered how much of this weighed on Labsang and Kaoya on a daily basis. I wondered how they were able to push forward, having to face the Chinese influx every day, watching their oppressors gain more and more control over their own country. Watching as more and more Chinese take up residency in Tibet. In Tibet's cities and fertile valleys, particularly in eastern Tibet, Chinese out number Tibetans by two and sometimes three to one. Suddenly, Carrie nudges me, and I am swiftly brought back into awareness of my current surroundings. “What are you thinking about? You seem lost in thought about something.” I sit quietly for a second. My mouth can’t seem to catch up with my mind’s thoughts. “Oh I am just watching Labsang and Kaoya lose more drinking games,” I say. Yu-ling looks over at them in the front of the bus. “Oh I know,
they are having such a terrific time, look at all the smiling going on
there!” We watched them flash their beautifully huge smiles. Their dark
olive colored skin accentuated their gleaming white teeth. The three of
us just sat there on the bus for a while, watching them interact, watching
them so relaxed and care free, their laughter and jarring, swaying movements
becoming more and more dynamic and vivacious as the night moved along.
Soon Carrie began shuffling through her cassette tapes again. She
picked out a tape and decided to ask Labsang if he could play it.
Labsang happily complied and inserted the tape into the cassette player.
And before we knew it, Christina Aguliera’s bubbly voice was squealing
from the bus speakers. My mind could not process the sudden change from
Tibetan and Chinese relations to Christina Aguliera. I was almost
paralyzed by thought. Here we were, visiting Tibet, a place that
had long been victimized by China, the very country that we had been studying
and living in for the past several months. Furthermore, we were visiting
as Americans, members of the country that has so willingly and fervently
rallied against China, Tibet’s oppressors. How do we traverse these
boundary lines?
“Megan, this is an American song,” he says, beaming his contagious smile. “Why aren’t you singing along?” Labsang and Sakya look at me intently, waiting for my answer. I look at them, my mind searching for an answer.They continued looking at me, craning their necks in interest. And then, at that moment, without any more thoughts, I started to sing. Suddenly, I was squealing along with Christina, excited to recognize the song, “What a Girl Wants.” Carrie, Yu-ling and I are all singing together now, to this girly, sugarcoated music that we are not supposed to like and yet still know all the words. Our excitement picks up speed, as we start singing louder and louder. Our voices bring in more friends, staggering into the alternate universe of our bus. Austin, Matt and Sara climb aboard. Greeted by the unbelievable warmth, layers of clothing were quickly being peeled off. Soon our bus looked like a laundry room, with clothing strewn about on the floor, on seats, and draped from the ceiling racks. Becky, Abby, and Darcy climbed on a few moments later and added their clothing to the collection. All the while, our music is still blasting, and we are still singing. Soon my hyperactive glee crescendos, and I dance down the aisle of our bus, my face and body wildly animated in song. This elicits laughter from everyone. “Is she drunk? inquires Sara between giggles. “She is such a good singer!” Abby and Becky chime in together. “Go, Mego!” roars Austin with a smile. And so I kept on singing, until suddenly there was a tap on my shoulder. I turn around to be greeted by Sakya. He puts a microphone in my hand. Stunned, it took me a second to process that the bus not only had speakers, but a microphone wired to worked with them. And Sakya wanted me to actually sing into it. He was not the only one who thought this was a good idea. Suddenly, several bodies jumped up from seats, my friends all yelling various phrases of encouragement: “Yeah Mego, you go for it, baby!” “Meg, you haaaaaave to use the microphone!” “Go, Meg, work it! Work it, Girl!” And there I stood, next to the driver’s seat, with the passenger seats filled before me with seated and standing friends, all looking at me with attentive, twinkling eyes, waiting for me to serenade them using our buses sound system. I almost choked on my laughter. But situations like these don’t present themselves every day, and so I sang. We were all so happy. I don’t think anyone stopped laughing long enough to realize that we were comfortably warm after shivering in frigid temperatures for hours. Nor am I sure if everyone was thinking about the irony of having this singing performance on our bus, the engine running, but not going anywhere. We were not roughing it at the moment, and yet there was something real and essential in being on the bus. That something was being human. Yes, there are numerous times in our lives when we are confronted with how we, as individuals, relate to the world and the greater issues that exist beyond and outside of us. What roles do we play? I looked at the magnetic smiles of Labsang, Kaoya and Sakya. These engaging smiles, so grand and pure, so reflective of their kind and caring personalities, currently seemed uninhibited by the ineffably difficult history they have encountered as a people. Watching them on the bus provided me with clues as how to cope with the weighty issues that encapsulate our world. We should be aware of them, and should act accordingly. Yet at the same time, we are human. And this means that happiness needs to be found, needs to be experienced even in such uncertain times. That night on the bus, amidst my reflections on international relations, I discovered the value in sharing smiles and songs. To contact
Megan Click Here
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