| In Teheran,
a young woman tells me she has dreamed of meeting a foreigner all her life;
another young man insists I take books of poetry back to my country as
souvenirs. And everywhere Iranians young and old beg the question,
“Iran — good?” They want to reaffirm the vision of their country
as a great empire, not the maligned nation of terrorists the West sees
daily on television.
They also want
to know what the average American thinks about George W. Bush. Cautiously,
they broach the subject, anxious not to offer offense.
Iranians
young and old beg the question, “Iran—good?” They want to reaffirm
the vision of their country as a great empire, not the maligned nation
of terrorists the West sees daily on television.
“Please tell
Mr. Bush not to bomb us,” one shopkeeper tells me as he counts out my change,
while a hotel owner who has lived briefly in Boston goes one better.
“That Bush
is such a geek!” he exclaims, anxious to show off the American vernacular
he’d acquired in his year abroad. “We liked that blowjob President
of yours much better.”
Despite their
aversion to the U.S. government, Iranians are infinitely curious about
America, and often express its superiority to their own land. In
the cool interior of a mosque, I watch as a teenage boy entertains his
friends. He stands on the cement tile reserved for imams, and in a voice
that harkens back to when the place was a city of tents, sings the opening
words of the call to prayer. Afterward, the group surrounds me, shy but
enthusiastic.
“Were you afraid
to come to Iran as an American woman?” one asks.
When I tell
him no, the boys seem relieved.
“Were
you afraid to come to Iran as an American woman?” one asks.
When
I tell him no, the boys seem relieved.
“I want to
go to America one day,” one tells me, while another asks how he can improve
on his English. Finally, one dares the question they all have been waiting
to ask. “Do Americans hate Iranians?”
For weeks I’ve
thought about a possible reply, how to delicately suggest that some Americans
are ignorant of Iranian affairs and perceive the country as bad, but that
there are others who do not share those views. But in the end, I
respond with the only answer I know to be true.
“I don’t know,”
I say.
Esfahan would
be the greatest city on earth if it didn’t have Esfahanis living in it,”
my Teherani driver says, as we pull past the checkpoints into this city
of bridges and blue sky. It is the last leg of my journey, the place
I have dreamed of for over a year.
Finally,
one dares the question they all have been waiting to ask. “Do Americans
hate Iranians?”
... I
respond with the only answer I know to be true.
“I don’t
know,” I say.
Once called
the “jewel of ancient Persia” Esfahan is a city built along the Zayandeh
River, which once coursed under the thirty or so bridges that skirt the
city. Now, however, the Zayandeh has dried up and become a series
of mere puddles in craters of mud. Still, the bridges remain, each
retaining their own bit of charm. A teahouse rests in the middle of one
bridge’s arches, filled with families who smoke the water pipe with half-closed
eyes. It’s here that I first get a glimpse of the Esfahani character
that is completely contrary to my guide’s impression. Packed into
the tiny teahouse, I wait for a free table when two teenage girls nearby
insist that I join them. My refusal is not considered, and I spend
the next half-hour in blissful contemplation of the world with two new
friends.
But while the
bridges are a site to behold, nothing can compare the extraordinary spectacle
that is Emam Khomeini Square. Situated in central Esfahan, it is
some 500 meters long, and can be likened to the national Mall on Washington,
if the Mall were surrounded by domes, palaces, and the cacophony of bazaar
merchants hawking their wares. Over the bazaar’s shops, workers hammer
verses from the Qur’an into copper bowls, or hover over slivers of camel
bone, painting miniature polo horses and men. Around the corner,
a man stamps row upon row of paisley on ivory cloth, while his son paints
the folds blue, green, and maroon.
I return to
the Square at different times of day, admiring the buildings and people
in every light. In the morning, groups of children skitter among
the fountain. By afternoon the place bustles with the sale of books
and carpets. And then, during a crimson sunset, as the cars honk
along the roads and families come to enjoy their tea before returning home
for dinner, I find the half of the world I have been looking for.
Hello, hello!”
the young girl in the maroon headscarf says in English, as she climbs over
the rail separating the grassy expanse from the gravel path on which I
stand. Horses clomp and neigh along the path, pulling white carriages of
young newlyweds and children.
And then,
during a crimson sunset, as the cars honk along the roads and families
come to enjoy their tea before returning home for dinner, I find the half
of the world I have been looking for.
“How are you?”
Behind her,
a group of women are assembled for a picnic. They smile and crane
their necks to hear our exchange.
“Hello, I am
fine. How are you?” I reply, amazed that such a young girl — she
must be only eleven — is fluent in my language.
She stands
grinning, but doesn’t answer. One of the women, possibly her mother,
signals to me from the grass. “Emrika?” she asks.
I nod my head
in assent. The women squeal and chatter amongst themselves, and the
mother pats the ground beside her, beckoning me to have a seat.
The girl takes
something from behind her back, then pulls at my hands and fills them with
sunflower seeds. The mother waves at me once again. I stand
still, wondering whether the social custom of refusing everything twice
before accepting applies to making friends. I munch on my seeds happily,
then figure, oh, what the hell, and climb over the cement barricade to
take a seat beside her. I know immediately I’ve made the right choice,
because once I’m settled, the women squeal even more, and the mother folds
me into her breast and kisses my cheeks. The fountain sprays a cool
mist along my back.
“Ahsh,”
the woman in front of me says, showing off the silver pot filled with stew
that sits in the middle of the sofreh on which they’ve spread their meal.
Beside her, two elderly members of the clan smile, one revealing her gums,
devoid of all but one tooth.
I know
immediately I’ve made the right choice, because once I’m settled, the women
squeal even more, and the mother folds me into her breast and kisses my
cheeks. The fountain sprays a cool mist along my back.
The kissing
woman points to the girl in maroon, then two others, maybe twelve and fourteen,
who sit to her left.
“Dokhtar,
dokhtar, dokhtar,” she indicates them one by one, then points to herself.
“Madar.”
“Mah…Mah…Mommy!”
one of the girls shrieks, happy to show off the English she has gleaned
from school or television, I’m not sure which.
This elicits
a series of giggles from the older women, who in turn identify themselves.
“Khahar,
khahar, madarbozorg,” they go around, until each is known for her association
to the others.
“Shoma shohar
dareed?” one of the women asks. Puzzled, I turn to the girl in
maroon. She repeats the question in Farsi, pointing to her ring finger.
“Oh!
Married? Na, na,” I answer, wishing I could find something else to
say. The chatter picks up around me, but the words run so close together
I have no idea what is being said. I watch the maroon girl closely,
my translator, but it occurs to me she knows no more English than hello.
Around us,
the taptaptap of the coppersmiths can be heard from the windows above the
bazaar. It’s a sound that’s foreign and warming at the same time,
like this little enclave I find myself in now. So entrenched am I
in discerning their talk, I hardly notice the lights coming on over the
square, and the gold tile flickering in the honeycomb corners of the mosque.
“Esme shoma
chee yeh?” the mother asks me.
Wait, I know
this one, I think, thumbing through the pages of beginner’s Farsi I have
cataloged in my brain. But before I can respond, she helps me out.
“Zahra,”
she says, pointing to herself.
Then the others
follow, the youngest first. “Sooleh…Zohreh…Nadia…” They take
turns listing off their names, waiting for me to repeat each one.
Finally, we
reach the eldest of the group. “Esmam….” she announces to an invisible
drumroll, and raises both arms skyward, “Iran!”
“Iran!” I exclaim,
and the entire clan laughs and cheers.
Nadia brings
the tureen of stew closer to my side, opening the tin lid to show me the
green noodle soup within. One of the women produces a black purse
that’s deceptively larger than it appears. Nadia opens the clasp
to reveal a stack of bowls and spoons.
“Ahsh,”
she offers, but allows me only one refusal before placing an overflowing
bowl into my hands.
“Mamnoon,”
I say, eyeing the others carefully so as not to be rude and start eating
before them. But the elderly women have already begun to dig in,
and the girls are giggling and climbing over each other; they take no mind
of what I’m doing.
I remember
that it is morning in America; hours away, my co-workers are making phone
calls, sending updates to clients via e-mail. But here, no one is
concerned with the pace of activity. Across the path a carpet seller pours
tea for a potential buyer. Two men kiss each other’s cheeks when
greeting.
I remember
that it is morning in America; hours away, my co-workers are making phone
calls, sending updates to clients via e-mail. But here, no one is
concerned with the pace of activity. Across the path a carpet seller pours
tea for a potential buyer. Two men kiss each other’s cheeks when
greeting.
Later, this
is the scene I’ll describe to my friends back home when they ask me about
my trip. I will tell them about the savory taste of that stew, loaded
with spinach and beans, and the way the sunset lingered beyond the mountains
for over an hour. And then, I’ll describe what it is like to leave
this half of the world, aboard a Russian aircraft so ancient there are
no baggage compartments above the seats, only shelves like those on buses.
The plane takes off in a blowing sandstorm, and out of the window I see
a salt lake stretched out like rust-colored chiffon. Then the sand
rocks the plane back and forth, back and forth, but with a calming rhythm
that makes me feel at peace among the tumult.
contact
the author Brandy Bauer
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